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a coherent collection of random statements regarding God, words and tunes

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Name: carl simmons
Just another guy in search of cohesion.

Location: Loveland, CO.

Preoccupations: God, words and tunes.

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Saturday, 22 December 2007

Maybe we can make it better....
(the standard Top 10 list, with a few additional observations thrown in free of charge)

And so this is Christmas.... and this year, with a few notable speed bumps (see last entry, and any number of entries from the beginning of this year), has been a much better one. I work with a good group of people, and some of them are becoming more than just passing friends. And the chances of doing something significant ministry-wise appears to lurk around the corner, even if it's not coming from the conventional channels. (And really, who thinks I'm conventional to start with? Show of hands.... Thought so....)
 
Who knew relocating could be so tough? Not a former lifer from Jersey, that's for certain.  But (no pun intended from last entry), the roots finally appear to be going down for real.
 
Musically, too, while not the year I'd hoped for, it sure as heck was better than 2006. Although to be fair, 2006 was better than I thought at this time last year (see also Discoveries list below). So it's safe to say I may yet discover the Best Album of 2007 a little later than hoped for. But at least I'm much happier with my options at this point.
 
And the fact that the chasm between my Top 10 new albums and my Top 10 discoveries has closed quite a bit is also a good sign. Plus, there's been some discoveries (both from this year and years past) that suggest that 2008 might finally be a watershed in a number of ways. 
 
So here goes.... buckle up, then consider how you might most wisely spend your Christmas money ('cause all yr parents still send you that, right?)...
 
My Top 10 Discoveries of 2007:
 
10. Alejandro Escovedo -- A Man Under the Influence (2001) -- Someone I really should have taken the time to discover years before this. Think: John Wesley Harding goes Tex-Mex, but brings a crapload more heart to the table. And if that don't sell ya', maybe #5 will.
9. Van Der Graaf Generator -- Present (2005) -- The reunion album that reveals a kinder, gentler, but still off their collective rocker, Peter Hammill & Co.
8. The Russian Futurists -- Our Thickness (2005) -- I've heralded the next Brian Wilson before (see also Disappointment of the Year), but Matthew Adam Hart may just wind up being loopy and hermitic enough to actually pull it off.
7. Graham Parker – Deepcut to Nowhere (2001) -- Not everything here is as deep as the cuts referenced in the review, but when Graham goes deep, he goes DEEP.
6. Jupiter Affect -- The Restoration of Culture After Genghis Khan (2003) -- Quite simply, the Great Lost Matthew Sweet Album,with a heavy twinge of psychedelia to boot. If you don't like this album, you have problems. Consider also, buried amongst the other good-vibes hippie-speak, the following : "In the three-fold of your power / You are the waiting flower." Hmmm....
5. Various -- Por Vida: A Tribute to the Songs of Alejandro Escovedo (2004) -- C'mon, look at the freaking guest list: Steve Earle, John Cale, Ian Hunter, the Jayhawks, Chris Stamey, Son Volt, Peter Case.... if only his other friend Tonio K. had shown up, this'd be about perfect. (OK, and if Lucinda Williams hadn't shown up.) As it is, everyone brings it to the table here.
4. Godspeed You! Black Emperor -- f#a#(infinity) (1998) -- Not so much an album as an experience. Tom Waits finally has that mental break we've been waiting decades for and holds Philip Glass at gunpoint for an entire hour, muttering like Slingblade only occasionally to remind you that this isn't entirely an instrumental album. THIS is what post-rock should sound like. Unfortunately, I don't hear much else in that genre that comes close.
3 (tie) Yo La Tengo -- I Am Not Afraid of You and I Will Beat Your Ass, and The Kamikaze Hearts -- Oneida Road (both 2006) -- Tough call: The band that made "indie" a household word finally pulling it all together after 20 years in a wonderfully noisy tour de force, or some obscure band from 100 miles further up the Hudson "finding it" before our very ears, playing it with all the brains and heart at their disposal, and promising lots more in the future. Whichever one you pick -- that was the real Best Album of 2006.
1. The Divine Comedy -- Regeneration (2001) -- Quite simply, probably the best album so far this decade. Tragic, gorgeous, heartbreaking, and all from a painfully eloquent guy who finally decided to put his smarmy persona to the side and actually say something. For one album, anyway.
And on a related note (and to circle briefly back to the top), said church that this album provided the soundtrack to my agony for is, in fact, apparently on the verge of collapse as we speak, according to my friends/elders there (or already moved on as a result). Needless to say, I have very mixed feelings -- namely, " I TOLD you so -- and I would've won the Dead Pool, too, for that matter" (go look up my past entries, if you don't believe me) and "Man, it SO could've been such a great church.... if you'd just let it freaking be what you SAID it was going to be, Xxx, you freaking schmuck."
But enough about that....
 
Honorable Mention: Richard Thompson -- 1000 Years of Popular Music (2005). If nothing else, great back story: Playboy asks various "cool" musicians for "the best songs of the millennium." Our Hero calls their bluff and sends a list that, literally, covers the last 1000 years, and means it. Said list, of course, never gets published. Our Hero, undaunted, puts on a concert covering said retrospective, and it's yours to track down. (To be fair, though, you really need the DVD to appreciate both the performances and Richard's painfully dry wit.) Folk, canticles, war songs, Cole Porter, Gilbert & Sullivan, and, of course, Bowling for Soup.
It's worth renting/purchasing just for the absolutely gorgeous cover of The Kinks' "See My Friends." And seeing the then-56-year-old Richard doing "Oops! I Did It Again!" (complete with 1600s folk reprise, to further prove his point that "the more things change, the more they stay the same) is arguably just as priceless.
 
Disappointment of the Year: Modest Mouse -- We Were Dead Before the Ship Sank. You said it, Isaac, I didn't. But I can't help but agree.
 
And now, your 2007 finalists....
 
10. The Zincs -- Black Pompadour -- So I like my indie stuff darker and more obscure. Shoot me.  Between them and Chin Up Chin Up (whose 2006 This Harness Can't Ride Anything didn't miss my Discoveries list by much), there's an interesting scene cooking in Chicago, apparently....
9. Matt Pond PA – Last Light -- Something radio-friendly for y'all. Again, check out that site if'n you don't believe me.
8. Derek Webb -- The Ringing Bell -- Gets this high almost solely on the strength of the remarkable "This Too Shall Be Made Right." But good Beatlesque stuff (and might as well be one of their early American albums, given the length).
7. Tim Byrnes -- The Instruction Manual of Love -- Yes, Tim, I'm serious. You may hate it, but since when do I go by what you say?
6. Patti Smith - Twelve -- A bad Patti Smith album (for Patti, that is) is still better than... well, all but five other albums this year. And you owe it to yrself to hear her take on "Smells Like Teen Spirit." Chris Thile is still kicking himself and saying, "Damn, I wish I'D thought of that," as we speak.
5. Richard Thompson -- Sweet Warrior -- Our Hero didn't do so bad this year, either.
4. Steve Earle – Washington Street Serenade -- The sound of badasses in love. Welcome back, Steve.
3. St. Vincent Marry Me -- Quirky, edgy, if still very much in process. But for a first album? Man.
2. Graham Parker -- Don't Tell Columbus -- Solid from start to finish. And "The Other End of the Reservoir" goes where no Graham ballad has gone before, and floors you in the process.
And finally....
1. Ian Hunter -- Shrunken Heads -- The best album this guy's put out in probably 30 years. Honest, angry, jubilant, and oh yeah, a real honest-to-gosh rock album that actually is a real honest-to-gosh rock album. (Do YOU remember rock and roll????) "When the World Was Round" should've been played on every station in this world and the next, or c'mon, at least "Soul of America." And for all that, "Read 'Em and Weep" is even better -- yet again, rip my heart out, old man. If this turns out to be the last album he ever does (and that's a real possibility), he picked a hell of a way to go out.
.
And there you have it. See you next year, in all likelihood. I think it's gonna be an interesting one, no matter what.

Posted by: burninglight at 01:57 | link | comments (3)

Tuesday, 18 December 2007

Shameless Plug #15

Or shameful, as the case may be. I have to say it's by far the least satisfied I've been with a product since coming here, but it is what it is and it's a saga not worth retelling. The children's part is OK, but the Youth/Adult part... well.... (It's a nice website, anyway (courtesy of the aforementioned art director from last entry).... Sample and judge for yrself; the full set of lessons should be up in a few days....

Plus, there's at least three more quarters to come, so here's hoping it goes better than Quarter 1... I'm pretty confident it has to.... considering the original stakes of this project, frankly, the last few months can't afford to reoccur.... In the words of Ronald Reagan: We're doing what we can, dear. (Again, thankfully there's that other project that's growing some legs, and will be SO much better given the chance....)

Anyway, realized I needed to add that (and/or just plain vent some more).

(Addendum 12/19: Having just come out of a three-hour brainstorming session for the next quarter, I have to say -- besides "my brain hurts" -- that I'm somewhat more optimistic about Quarter 2 at the moment. Not that that would've taken much.)

The Top 10: Sometime soon....

Posted by: burninglight at 22:44 | link | comments

Monday, 17 December 2007

A few more, and done for now (2007 version)…

We’ll start with the new one and work back….

But first, thanks to jim(s) and rob for their responses to my last post. Not the amount or variety of responses I’d hoped for, but I’ll take it. Suffice to say, it’s something I’ve been wrestling with personally lately as well, and have also been working on an idea (alluded to sometime back) that's actually developed a life of its own here (and which, it’s worth adding, looks nothing like other more “official” ideas already in the works). Sufficer to say, it looks somewhat more like things rob was alluding to. I can’t rewrite the Mass, after all. :) That said, jim’s journal idea – and more so, the idea behind it: Coming to God/church with a sense of expectancy rather than expecting to be entertained/”filled up until next week” (an idea rob hit on as well) – resonated pretty well for me, too. Again, something I’ve wrestled with here in past posts.

Anyway, anyone of the praying persuasion for said project is free to do so. I’m thinking it’s a God thing, especially given the unexpectedly positive  responses in some sectors. We’ll see.

And the thread is, of course, still open to anyone who wants to respond. I ain’t picky, you know.

So, on to tuneage….

Matt Pond PA – Last Light. As also mentioned previously, our senior art director’s music fanaticism rivals (if not exceeds) mine. Sometimes we intersect, a lot of times we don’t. He keeps throwing CDs at me; I keep responding “It’s okaaaaayyyyyyyyyyyyy….” More to the point, they tend to be musically quirky yet gutless (wait for me here…) Clearly they enjoy putting out what’s in their heads, and I have no problems calling it creative, but on a visceral (and for that matter, lyrical) level, something’s missing.

So I wasn’t exactly all ready to like this one either. And I kept trying to ditch it. But like Al Pacino, it just kept pulling me back in. This one’s actually pretty good. It’s not the sharpest thing lyrically (it’s not insipid either, mind you, just not the thing you’ll want it for), but it’s got heart. Lots of it. And hooks. Lots of them. It doesn’t maintain for a whole album, mind you, but the moments are there.

To make your own decision easier, go here and listen to the title track blaring out of the home page: http://www.mattpondpa.com. It’s just a great single (even though I think that initial honor went to the bouncy yet bittersweet “Sunlight” -- which, by the way, probably features the best line of the album – in the chorus, no less: “I wish you would say / When I f*** up, that’s it’s OK.”)

Other highlights include the decidedly Elliott Smith-ish “Wild Girl” and the strum-to-a-dang “Giving It All Away.” My version also includes the 2007 EP If You Want Blood, which has its moments as well: “Reading” is another hooky blasty thing on the level of “Last Light,” and “Magic Boyfriend” features a sense of humor that’ll surprise anyone who’s been listening up to that point.

So sample. And hold? Well, that’s up to you….

The Russian Futurists – Our Thickness (2005). Picture a Canadian Andy Partridge locked in his room with a crapload of cheap instruments and recording equipment, channeling Brian Wilson big-time.

(Wasn’t all that difficult, was it? Didn’t think so.)

That’s pretty much all you need to know about The Russian Futurists. This is ear candy of the highest order.

That said, one critical issue requires to be pointed out. Matthew Adam Hart (who, for all intents and purposes, IS the band) writes some very good lyrics (again, a la Mr. Partridge again channeling Mr. Wilson). Just one example, from “Sentiments vs. Syllables”:

If my time's up, then please don't wake me
And if I word stuff far too vaguely
It's because things don't mean much to me lately,
Enjoy it, boy, it's ending
Past and patent pending
In black and white, like your dreams
It's sentiments and syllables
And still it pulls and rips you apart at the seams.

One little problem: The mix is such that the only way you’d know they’re this good is to read them on the lyrics sheet. Which, as a lyrics guy, I really think is a shame.

That said, the music is so buoyant that it keeps everything afloat too. Just throw on the beat-heavy sonic blast opener/single “Paul Simon” and try not to smile. Just keep not trying not to  smile during the great lost Pet Sounds track “My Pen’s Out of Ink.” Or the slightly hip-hoppy-yet-keyboard-perky “Why You Gotta Do That Thang?” Straight through to the downright orchestral closer “2 Dots on a Map.” (How’d he fit a whole orchestra in his bedroom, anyway?)

Anyway, if Sufjan Stevens can make a quantum leap into Illinois, I’m thinking this guy’s got almost as much chance of pulling off his own pop masterpiece. Just find someone to mix the danged thing right next time, Matthew, a’ight?

Graham Parker – Deepcut to Nowhere (2001). My ongoing rediscovery of The Great Soul Atheist continues. (How exactly does that work, by the way? Never mind…) And yeah, as does his exploration (or dismissal, as it were) of the big questions: “Syphilis and Religion” is your standard Graham Parker missionary diss (amazing how many of those he has, although 20 years later “Break Them Down” remains the best); and the quiet closing cut, “Last Stop Is Nowhere” doesn’t exactly leave you with the warm fuzzies – more like the cold abysses: “Last stop is nowhere / That’s where I’m bound…”

This album takes some listens -- there's no obvious single here -- but it hits deep in any number of places. He’s got a few albums better, but not many. And Graham's got a LOT of albums. Other highlights include the opener “Dark Days,” where Graham gives his also-somewhat-standard state-of-the-world address (Short version: It sucks); and “I’ll Never Play Jacksonville Again,” a slice of classic pub-rock-with-a-dark-side (and a sitar?).

And if you buy this for no other reason, buy it for “Depend on Me.” Another one of those “I’m in this for the long haul” songs that have affecting the heck out of me this year (see also The Divine Comedy’s “Perfect Lovesong” and Steve Earle’s “Days Are Never Long Enough”), but this one’s positively human-rubble territory. Soulful and powerful, featuring some Knopfleresque guitar to boot, and all from the rare rock-and-roller who’s actually backed up his promise for nearly 30 years now:

Come on, baby, take my word
My word’s about as good as it gets
I know the language of your heart
Better than the alphabet
And if you think that that’s absurd
Stick around – this’ll make you smile
I might not be your puppet, girl
But I been hangin’ for a long, long while

And if you lose your mind
It’s only in your head
If your eyes go blind
Feel your way instead
And I’ll be there, I’ll be right there
Where I’m meant to be
And if I depend on you
Depend
On me.

What a freaking gorgeous song. Makes me want to cry and falsetto all at once (and I've done it, too, trust me), and yet thankfully looking nothing even remotely like Michael Jackson.

If you haven’t yet (re-)discovered the hidden treasure that is Graham Parker, this album’s as good as any place to start. Especially if you like diving right into the deep end. (If you want to ease in a bit more, you could do far worse than Heat Treatment, Squeezing Out Sparks, Another Grey Area, Struck by Lightning, or this year Don't Tell Columbus, for that matter.)

Next week (or thereabouts) the standard Top 10 list. Well, standard for me, anyway.

Posted by: burninglight at 21:44 | link | comments (1)